Whether you are an experienced performer, or have simply always dreamed of being on stage, Brazosport Center Stages is an open and welcoming place to become part of a vibrant, local theatre scene.

Several days before auditions are to be held, ‘sides’ (selections of scenes from the play) will be available to review at the front desk of The Center. If possible, it is also recommended that each potential candidate read the full play to become familiar with the characters and tone of the play.

When you enter The Center for Arts & Sciences, you will see a table set up for applications to audition. Fill out the audition form and then have a seat in the theatre auditions are being held.

Your application will be delivered to the director and the director will call you up to the performance space in order to read a specific character with others who are auditioning. You will then sit down and wait for the director to call you up again. More than likely, you will be asked to read for more than one character. You may notice some people reading more times than others. Do not take too much stock in the amount of times you are asked to read: the director may have simply gotten from you what he or she wanted to see and hear. Further, do not become too nervous if the director stops your reading and gives you directions to consider. Simply do your best to follow the directions on your next reading of the side.

Finally, many directors will ask, at the end of an audition, if anyone would like to read for a character he or she may not have had a chance to read. (The director may also give you an opportunity to read with an actor you haven’t had a chance to read with.) This is your opportunity to show the director something you may not have had a chance to show on previous readings—so don’t be shy!

Directors usually hold auditions over two days. You are not obliged to attend both auditions. Please let the director know of any conflicts you have with rehearsals or performances. Usually, a director can work around a small number of rehearsal conflicts. Performance conflicts, however, will typically disqualify the performer from getting cast.